Kodak Gold 200asa 35mm - 36 exp Single

Product Information

Related Article: How to Shoot Kodak Portra 400 Where Kodak Gold Performs Best And Where It Struggles Not sure which of the two to go with? Dig into our guide on Kodak Gold vs. Ultramax 400 to see which is best for you! Could you maybe do an article on the difference between “professional” and consumer film? As you imply a lot of things like weddings would not be recommended to use consumer film. But why? You say that consumer film has more color saturation but how does that explain ektar? There’s always going to be nostalgia in analogue photography. Some for the medium, some for the cameras we use, and some for certain films. Kodak Gold is surely one of those that command it in a way some others can’t.

In addition to providing information about colour sensitivity, spectral sensitivity curves can also be used to determine the film's sensitivity to different light sources, such as tungsten or fluorescent lighting. This information is useful for colour correction and can help photographers achieve the desired look for their images. High sharpness and high resolution: Excellent results for general-purpose photography & Great for enlargements. While Portra 160 is very obviously suited to portraiture, it also shines with general photography. While films like Ultramax, Gold, and Ektar will saturate the hell out of any color present in the frame, Portra 160 instead goes for depth and subtlety. This is perfect for images which emphasize texture and detail rather than bold color and contrast. Portra 160 has become a favorite of wedding photographers, portrait photographers, and photographers who generally prefer a gentler, even dreamier image. In 35mm, you can find it in rolls of 24 or 36 exposures for just a few dollars, but you should always try to get it with 36 exposures because when you go to develop it, the price is the same no matter how many exposures per roll. So, don’t lose out on those eight exposures!

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However, the colors this film produces aren’t for everyone. Take a close look at some of the images shot with this 35mm film to see how you feel about the strong color casts, particularly the heavy yellow and magenta tones. You can create cool, retro shots with the Kodak Colour Plus 200, but it’s not for everyone. If you’re looking for a faster film speed, the Kodak Ultramax 400 fits the bill. Pair it with one of the best film cameras and you’re good to go. Last in the Portra line is Portra 800, Kodak’s higher speed color negative offering. In some ways, Portra 800 is a bit redundant considering Portra 400’s exposure latitude covers nearly all of Portra 800’s effective range. But Portra 800 is another spectacular option when light gets really low, and I find Portra 800 shines particularly when used for this intended application. Tri-x shot at 200 asa on 120 film is so smooth and perfect i don´t even know why shoot other emulsions. Film is a physical medium. If there wasn’t enough light to excite the electrons in the silver halide emulsion, they won’t magically become developable with longer development times. Pushing film does allow the developer more time to work and find developable grains in the shadows, so there is a marginal speed increase. But it increase the image contrast, saturation, and graininess. Kodak Gold can be used to create cinematic images at night. How to shoot Kodak Gold at night

Kodak Gold 200 is a consumer-grade film, meaning it’s cheap, readily available, and really hard to mess up. With the former being more professional grade films, that leaves us with two more accessible film options: Kodak Gold 200 and Kodak Ultramax 400. These are two films with very different color profiles, use cases, and exposure latitudes – but both great options to have in any film photographer’s arsenal. In this part of the film review, we’ll explore exactly what the Kodak Gold 200 color negative film has to offer you. 200 ISO: Slow Film SpeedKodak Gold is actually vintage and there’s nothing forced about it the look it gives. If you use it while travelling or on holiday and your photographs resemble the ones from your childhood holidays, that’s because they’re possibly being shot on the same film. It’s got a wide latitude and rich color saturation as well. Overall, it’s a great film to keep handy and use for travel, personal snaps, and even portraits.

Wondering which film is the better choice for you – Kodak Ultramax or Gold? As two of the most popular colour 35mm films in the world, and cheaper than the premium Kodak emulsions of Portra or Ektar, many people ask us which they should shoot. This post takes a look at each film's features, benefits, and shortcomings so that you can make an informed decision for your creative film photography. Capturing new vintage holiday memories on Gold 200 sounds like a very good idea, though, and I’m already looking forward to doing that. The general rule with film is to always expose for the shadows. Highlights are easily recovered with color negative film, but shadows usually what gets lost. So it’s always better to overexpose your images to capture more detail. I meter it at box speed or 160 ISO, and meter for the shadows or the midtones when using a handheld light meter.Since its introduction in 2008, Ektar has built a reputation as one of Kodak’s premier films. It’s the emulsion that promised to fill the void that the world-famous Kodachrome left in the company’s catalog when it was discontinued. Like Kodachrome, Ektar is slow (ISO 100), fine grained, and has a much sought-after vibrancy in its color palette. But unlike Kodachrome, Ektar is a C-41 color negative film, enabling it to be processed by any film processing lab. Kodak makes quite a few impressive pro-level color-negative films. Let’s talk about those. Kodak Ektar 100

The color balance with Ultramax makes it versatile for many applications such as portraits, cities, landscapes, and more. The dynamic range on this film is very wide, and it retains great details in both highlights and shadows when metered properly. Letting in more light feels counter-intuitive to pushing film. And it is. But the truth about film is that over-developing, or pushing, doesn’t increase the exposure as much as it does with digital photography. Kodak Gold 200 is a color-negative, low-speed 35mm film that has divided opinion among photographers for decades. Some photographers love this consumer film, praising the bright colours and the retro look. However, not everyone is a fan. Let’s dig in and find out what’s to love and what’s not to love in this review of the Kodak Gold 200! They also mention that wide exposure latitude from earlier, stating you get from two stops underexposure to three stops overexposure to play with. In this Kodak Gold 200 review, we’ll run through whether this “everyman’s” film is for you or if you should pony up the cash for a better film.Kodak has a long history of making incredible slide film, and recent history has seen the brand reintroduce their well-loved Ektachrome ( to much deserved fanfare). Let’s talk about that. Ektachrome E100 There are a few limitations to Kodak Gold. The main downsides are that it isn’t as flexible for altering colors in post production as professional films, it’s a little more grainy, and it shouldn’t be pushed more than 2 stops.